Chorus launches new competition for young composers
28 October 2022
The Chorus is embarking on a new venture – an exciting new competition for composers aged 18 to 35. The competition invites people who lived, studied or were born in Sheffield to submit a short choral work for a mixed choir to sing unaccompanied in at least four parts. It is organised by Sheffield Philharmonic Chorus in association with Classical Sheffield, as part of the Classical Sheffield Weekend Festival to be held in March 2023.
‘Stella Jockel was a Sheffield teacher and vicar’s wife who sang alto with the Chorus for over 50 years.’ explained Chorus Chair Paul Henstridge. ‘She bequeathed a generous legacy to the Chorus following her death in 2020, and we are delighted to be using part of it to fund this new competition. It’s especially exciting that we’ll be singing the prize-winning work at the City Hall as part of Classical Sheffield’s three-day classical music festival’.
The text has been commissioned from award-winning poet Katharine Towers, who sings in the alto section of Sheffield Philharmonic Chorus. Kathy won the Seamus Heaney Centre Prize for The Floating Man and was shortlisted for the TS Eliot Prize for The Remedies. ‘I’m utterly thrilled to have been given this opportunity’ she said. ‘I’ve greatly enjoyed the challenge, and it’s been such an interesting experience to write something in the knowledge that music would be coming its way.’
The winning composer will receive £1,500 and their work will be premiered at the Classical Sheffield Weekend Festival finale on Sunday 19 March 2023 in the City Hall. It will be followed by a performance of Mahler’s magnificent 2nd symphony by the combined forces of Sheffield Philharmonic Orchestra, Hallam Sinfonia, Sheffield Philharmonic Chorus and Hallam Choral Society, conducted by George Morton and bringing the 10th anniversary festival to a spectacular close.
George Nicholson, Emeritus Professor of Composition at the University of Sheffield, will head a panel of judges that includes the Music Directors of the finale performers. The deadline for entries is 31 December 2022 and the shortlist will be announced early in the new year. For details see www.sheffieldphil.org/youngcomposer.
In 2017 Robin King, from Newcastle, discovered that the title track of our CD, Awake, arise, Good Christians, which we had thought was anonymous, was actually written by the children’s writer Mary Botham Howitt (1799-1888), who wrote The Spider and the Fly.
Mary Botham was born in Coleford, Gloucestershire where her father was a mining engineer in the Forest of Dean coalfield. She married William Howitt and for a time lived in Heanor, Derbyshire, but then moved to Nottingham where William’s family were in business. William later sold his share of the business and the couple moved to London, both to write full-time. They later spent time travelling and living in Europe. Mary died in Switzerland while on holiday. She had been living in Italy for a number of years.
Robin, who spent most of his career working in the Registrar’s Office at Newcastle University, found the poem in Mary’s book Hymns and Fireside Verses (Darton and Clark, London, 1839) in the Special Collections at Newcastle University Library – it’s the last-but-one poem in the book. There’s also a copy at Sheffield Hallam University, and you can see a scanned copy of the book in the US Library of Congress. You can use the link below to read Mary’s poem.
The carol also appears as No 53 in “88 Favourite Carols and Hymns for Christmas” published by William Walker & Sons of Otley, West Riding. This is undated, but since it contains reference to the publishers’ catalogue being obtained on receipt of a penny stamp, it must be no earlier than the 1840s when the Penny Post was introduced by Rowland Hill. This ties in with the original publication of “Awake, arise, good Christians'” in 1839 and a number of other carols whose earliest known references date from the 1840s or 1850s. Robin believes it is probably from the later 1850s or after as it contains the five verses of James Montgomery’s original 1816 version of “Angels from the Realms of Glory” where Montgomery writes of Angels, Shepherds, Sages, Saints and Sinners. After Montgomery died (1854) the Sinners verse either was not printed or was replaced by a verse from one of Montgomery’s other hymns.
The version of Mary’s carol that is sung in the Sheffield Carolling tradition is attributed to William Mount, but three other versions were published in America, by W.F. Sherwin in 1871, Karl Reden in 1875, and Charles Lewis Hutchins in 1916. The last two stick closely to Mrs Howitt’s words (not all verses are included), but the Sherwin version has more radical changes.
In 2019 the Chorus recorded John Rutter’s Gloria with Black Dyke Band – and the CD on which it is features reached the Number One spot in the Classic FM Specialist Classical Albums charts in October 2020, only two weeks after it’s release by Naxos.
The CD Anthems, Hymns and Gloria for Brass Band , was recorded in St Oswald’s Church on Bannerdale Road in Sheffield. Directed by Professor Nicholas Childs and Chorus Music Director Darius Battiwalla, the CD was featured as Album of the Week on the Classic FM radio station, and rapidly moved up the chart over the following week.
The CD features eleven tracks composed by Rutter and arranged for brass band by Belgian conductor Luc Vertommen. It includes many of the English choral composer’s most famous works, including the Pie Jesu from his 1985 Requiem, and This is the Day composed for the wedding of HRH Prince William and Kate Middleton in 2011.
John Rutter’s Gloria was composed in 1974 for choir, brass, percussion and organ, with an alternative version for choir and orchestra. Described as “exalted, devotional and jubilant”, it was Rutter’s first commission from the US. Structured in three movements and based on the Gloria from the Latin mass, it was always intended as a concert piece.