Friday 7th November 2014, Sheffield City Hall
- Mozart Great Mass in C Minor
- Mendelssohn Overture: The Fair Melusine
- Wagner Siegfried Idyll
Northern Sinfonia, James Burton, conductor
Gillian Keith (soprano I), Anna Dennis (soprano II), Sam Furness (tenor), Matthew Hargreaves (bass)
Sheffield Philharmonic Chorus, Gentlemen of Sheffield Cathedral Choir
Saturday 13th December 2014, 3pm and 7pm Sheffield City Hall
Christmas concert
Paulette Edwards (presenter)
Black Dyke Band, Dr Nicholas Childs (conductor)
Sheffield Philharmonic Chorus, Darius Battiwalla (conductor)
Saturday 2nd May 2015, Sheffield Anglican Cathedral
- Bruckner Mass in E minor
- Gorecki Totus Tuus
- Tavener Svyati
- Messiaen Quatuor pour la fin du temps
Sheffield Camerata, Darius Battiwalla – Music Director, Simon Turner (‘cello)
Sunday 17th May 2015, Sheffield City Hall, 7pm
- Schubert Symphony No.3
- Beethoven Symphony No.9 ‘Choral’
Claire Meghnagi soprano, Hannah Pedley mezzo, Andrew Rees tenor, Paul Carey Jones baritone
Warsaw Philharmonic, Jacek Kaspszyk conductor
Tuesday 9th June 2015, Doc/Fest, Crucible Theatre, 8.30pm
- Holst The Planets
Paul Crowther – commentary;
Sheffield Rep. Orchestra, George Morton – Conductor
Women’s voices from Sheffield Philharmonic Chorus, Darius Battiwalla – Conductor
Embark on a breathtaking voyage to the outer limits of the universe as Gustav Holst’s The Planets is performed by the Sheffield Rep. Orchestra conducted by George Morton and accompanied by images of interplanetary odysseys and newly commissioned visuals by Sheffield creative design agency Human and a commentary from astronomer Paul Crowther. Brought to you by the University of Sheffield Departments of Music and Physics/Astronomy, Festival of the Mind.
Each year members of the Chorus volunteer to sing Christmas carols at a range of venues around Sheffield. Sadly none of the singalongs proved possible this year. However, the Chorus has contributed music from the ‘Awake Arise’ Christmas CD with the world-famous Black Dyke Band, to a virtual carol concert in aid of 
See What’s On this week in Sheffield on the 
Steve says “I chose the War Requiem in memory of my wife, who had died two years earlier, and my mother who died earlier that year, and because it was Britten’s centenary year and I’d worked with him in the 1960s and had admired his War Requiem since I first heard it in 1962. It is an expensive work to perform, but my mother had left me some money – and she’d have been glad that I put it to good use. The whole experience of helping to organise the concert and the emotions of the performance itself have left wonderful abiding memories.”