Sisters Steal Away

Press release: 18 October 2015

Jo and Rachel

Sisters Jo Briddock and Rachel Mallaband have more reasons than most to be looking forward to this weekend’s Festival of Music – they are both part of a quartet of singers featured in Deep River, from Tippett’s A Child of our Time in the Ballroom concert “Steal Away – Spirituals and More” on Saturday. “We’ve sung together in Sheffield Philharmonic Chorus for over 10 years now”, said Rachel, aged 45 from Lodge Moor, “but when Jo texted to say I was one of the quartet you could have knocked me down will a feather!” she laughed. “It was her fault” she continued pointing at big sister Jo, “I would never have volunteered to sing anything on my own that had a top B in it!” Having sung together for over 40 years, the sisters have sung everything from Simon and Garfunkel, to Handel’s Messiah and of course, many Christmas concerts. But there is no favouritism when it comes to auditions, joining the Chorus is a matter of needing to be of the standard expected by Music Director, Darius Battiwalla.

That said, the Chorus has a number of families represented – husbands and wives, mums and daughters. Members put it down to the wonderful opportunities that come their way that they wax lyrical about – encouraging family members to join. Jo’s claim to fame is singing at the Proms (at which Rachel pulled a face, having not been chosen on that occasion) and filming Songs of Praise for the BBC when the Chorus first became associated with the local village carols.

“But recording the CD was certainly a highlight too” said Jo referring to Awake, Arise! the Chorus’s new recording featuring some of the local carols due out on 20 November. “We are so lucky – fancy getting to record such fabulous arrangements, and in the City Hall too”, added Jo.

Classical Sheffield’s first ever Festival of Music takes place from Friday 23 to Sunday 25 October at venues across Sheffield. Concerts range from free pop up events in the Winter Gardens to full orchestras. There is something for everyone and tickets start at just £5 with under 18s free. Full details are available at http://www.classicalweekend.com/

Will Chorus be reaching for the vodka?

Rachmaninov’s All Night Vigil – will Sheffield Philharmonic Chorus members be reaching for the vodka?

Press release: 18 February 2013

Are the Sheffield Philharmonic Chorus’s second basses equal to the challenge of negotiating a scale descending to a low B-flat (the third B-flat below middle C) without the aid of large neat double vodkas to extend their lower range? They will face this on 8 March at the Chorus’s concert in St Marie’s Roman Catholic Cathedral on Norfolk Row, as part of the current concert series in the beautifully refurbished Cathedral.

Rachmaninov’s All-Night Vigil is an a cappella choral composition, with texts from the Russian Orthodox All-Night Vigil ceremony, also known as the Vespers. When Rachmaninov first played this testing passage to a colleague, he recorded that: “Danilin shook his head, saying, ‘Now where on earth are we to find such basses? They are as rare as asparagus at Christmas!’ Nevertheless, he did find them.” Although the All-Night Vigil differs from many of Rachmaninov’s best known pieces, it has been praised as his finest achievement. You will have to wait for the end of its fifth movement (Nunc dimittis) to hear the Chorus second basses try their strength. The Chorus has dedicated the concert to the late Stephen Knight, who died last November. He was a well-loved member of the Chorus from 1978 to 2011, and its Administrator from 1999 to 2007.

The Chorus is also singing Kodály’s Missa Brevis. It was written during World War II, with its first performance in the Budapest Opera House cloakrooms during the siege of Budapest in 1944/45. It reflects Kodály’s interest in Hungarian folk music but lies firmly within the framework of the mass setting. The conductor will be the Chorus’s Music Director, Darius Battiwalla. The Missa Brevis organ part will be played by Neil Taylor, Director of Music at Sheffield (Anglican) Cathedral.

The soloists will be Cari Searle (alto) and Stewart Campbell (tenor). Cari Searle was born in Yorkshire and read music at Sheffield University before studying at the Royal Northern College of Music with Glenville Hargreaves. Stewart Campbell manages and directs the concert series for the University of Sheffield and is also a lay clerk in Sheffield Cathedral Choir where he contributes to the daily pattern of services in addition to regular concert engagements, national radio broadcasts, recordings, and international tours.

Interested in joining Sheffield Philharmonic Chorus to sing Vaughan Williams ‘Sea Symphony’ in June and Britten’s ‘War Requiem’ in December? The Chorus is always pleased to invite new members in all voice parts. For men interested in joining the Chorus, a six-week series of free singing workshops will commence on Tuesday 12 March. To find out more, visit www.SheffieldPhil.org or call our New Members’ Officer on 01433 630970 or 0777 157 8233

Download: Press Release 18 Feb 2013

Free choral workshops…

…..and a welcome return for Handel’s Messiah

Sheffield, 8th October 2012

Handel’s Messiah will return to the City Hall in style on 15th December with the Manchester Camerata joining Sheffield Philharmonic Chorus, conducted by Darius Battiwalla. The Messiah was an annual feature at the City Hall for many years and the Chorus is thrilled to be celebrating the City Hall’s 80th birthday with the return of this glorious, and ever popular, work.

To enhance the occasion further the Chorus is welcoming new singers in all voice parts and offering free places in a workshop series primarily aimed to encourage men who feel they would love to sing works of this kind but feel their music reading and vocal skills may not be quite up to this.

The free workshop series starts on Tuesday 16th October 2012; will run for 6 weeks and be taught by a professional music teacher at the Chorus’s new rehearsal venue, King Edward VII Upper School, Glossop Road, Sheffield S10 2PW. These half hour workshops will run from 6:30 to 7pm at which point the men will join the main rehearsal under the wing of an existing chorus member; an ideal way to feel prepared for your audition. Full details of the workshop series is available at www.sheffieldphil.org Previous workshops have proved very popular so please reserve your place as soon as possible by email to  , or by phone to Sally Turnbull 01433 630970 or 07771 578233.

The Chorus is always busy and, as well as the Messiah, forthcoming Sheffield concert dates will see it join the internationally renowned Black Dyke Band in the City Hall on 8th December for two Christmas concerts, perform the beautiful unaccompanied Vespers by Rachmaninov in the newly refurbished Cathedral of St Marie on 8th March 2013 and return to the City Hall on 2nd June 2013 to perform Vaughan Williams’s Sea Symphony.

So, if you are free on Tuesday evenings and would like to sing with the region’s most successful symphony chorus then please book your place quickly since demand is already high. Who knows? Following the excellent preparation you will receive for your brief audition, in just a few weeks time you may find yourself singing with gusto on the City Hall stage for the Messiah rather than under your breath in the audience.

Full details of the workshop, venue and Chorus can be found at www.sheffieldphil.org

Download:  Press Release 8 Oct 2012

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Free choral workshops and a year full of singing

Press Release: 8th August 2012

Following Sheffield Philharmonic Chorus’s successful choral workshops in previous years, we are once again offering an exciting opportunity to men who may wish to join.  These workshops are free, but judging by last year’s events they will be popular, so please do book early by contacting Sally Turnbull on 07771 578233, by emailing  

Starting on 16th October 2012 and running for 6 weeks the Chorus is providing a series of music-reading workshops for any men who think they may like to sing with us but who are deterred because they think their music-reading skills are not good enough.  They will be open to men who have experience of any kind of choral singing and who are interested in working at improving their music-reading skills.  Led by a professional music teacher the short workshops will focus on learning and practising generic music-reading skills such as rhythm and interval pitching.

Participants in the workshop, held at our new rehearsal venue King Edward VII Upper School on Glossop Road, move to the main rehearsal at 7.00pm and join with the rest of the Chorus, sitting next to a supportive existing singer.  And if any year were the year to join the Chorus, this must be it!

Our Sheffield dates this Autumn see us join the internationally renowned Black Dyke Band in the City Hall once again on 8th December for two Christmas concerts, plus festive favourite Handel’s Messiah with Manchester Camerata on 15th December. In March we perform the beautiful unaccompanied Vespers by Rachmaninov and finish our season in June with Vaughan Williams Sea Symphony.

So, if you are free on Tuesday evenings and would like to sing with the region’s most successful symphony chorus then please book your place quickly because they will certainly be in demand.  Full details of the workshop, venue and Chorus can be found at www.sheffieldphil.org

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Contemporary composers take centre stage

Press Release: 16 April 2012

Sheffield Philharmonic Chorus are presenting both Philip Wilby’s “A Bronte Mass” and Karl Jenkins “The Armed Man: A Mass for Peace” on the same bill and in partnership with the internationally acclaimed Black Dyke Band at Sheffield’s City Hall on Saturday 28th April. Such is the sheer volume of superb classical music that more often than not composers have been long dead before listeners get the chance to be enthralled by their compositions. Hence opportunities to hear such thrilling current works should be grasped with both hands. Prof. Philip Wilby will even be “In Conversation” with broadcaster and journalist Trisha Cooper prior to the concert.

The Armed Man will be performed with a ‘big screen’ projecting images that reflect the mood and texts of the piece. The combined visuals of war, hatred, bigotry and violence juxtaposed with human life and faith will undoubtedly tug at the emotions. Indeed the Chorus has purposely added to the imagery with scenes from the Sheffield Blitz bringing the horror of wartime even closer to home.

Wilby and Jenkins are respected contemporary musicians and composers but with very different routes into the classical world. Born in Pontefract in 1949, Philip Wilby was educated at Leeds Grammar School and studied Music at Keble College, Oxford. After graduation he worked as a professional violinist with the Covent Garden and City of Birmingham Symphony Orchestras, and subsequently took the post of Principal Lecturer, and later Professor of Composition at the University of Leeds. He is widely known as a composer for Brass Band, with many of his works featuring as test-pieces for major competitions throughout the world, including the British Open, British National and European Brass Band Championships. His 1999 brass band composition “… Dove Descending” was featured in the 2007 BBC Proms at the Royal Albert Hall.

Jenkins route, though less conventional, is more probably the better known. Born in Penclawdd in 1944, South West Wales, he learned music theory and piano from his father. As a young gifted oboe player, Karl was a member of the National Youth Orchestra of Wales, read music at the University of Wales, Cardiff, and continued his studies at the Royal Academy of Music in London. However rather than becoming a lead classical musician, or conductor his path led him to playing jazz at Ronnie Scott’s club, winning first prize at the 1970 Montreux Jazz Festival as a member of the group Nucleus, and performances with Soft Machine at prestigious venues such as the Carnegie Hall, the Proms and the Newport Jazz Festival in Rhode Island. When Soft Machine disbanded in1984, he started a highly successful media company with Mike Ratledge, writing jingles and music for adverts. It was his phenomenally successful 1994 album Adiemus: Songs of Sanctuary that brought him to the attention of the classical music world. He has since been made a fellow and associate of the Royal Academy of Music, and a fellow of the Royal Welsh College of Music and Drama whilst in 2005 he was awarded an OBE for his services to British music.

Karl Jenkins work was composed in 1999 for the Millennium celebrations. Its message is summarised in the final chorus which begins with Mallory’s words: “Better is peace than always war”. When Jenkins was composing the Mass, the tragedy of the Kosovo massacres unfolded. The piece became known as “The Armed Man: a Mass for Peace” with the horror of the conflict reflected in its dedication to the victims of Kosovo. It was at this time that Jenkins decided to make the second movement a simple performance of the Call to Prayer; sung in mosques every day. The Chorus have engaged Qamar Zaman, a 35-year-old muezzin from the Madina Masjid mosque on Wolseley Road to perform this most unusual addition to a classical work. The Armed Man is now a popular favourite, with its Benedictus often featuring on Classic FM.

Wilby’s “A Brontë Mass” is a slightly more recent composition. It is a challenging and beautiful work which features poems by Charlotte, Anne, Emily and Branwell Brontë interspersed with sections of the Latin Mass. The version for baritone soloist, choir, brass- band, organ and harp will be an excellent vehicle to highlight the extremely talented Black Dyke Band, and will see the Chorus joined by colleagues from Halifax Choral Society.

Wilby describes the work as ‘a psychological journey, moving from the melancholy dark nights of November into the clean new dawn of the turning year, complete with ecstatic angel’s song and some distantly twinkling stars’ but this gives little hint of the deeply spiritual quality which also pervades the work.

Altogether Saturday 28th April looks set to be a totally intriguing and exciting evening of music and visuals. Tickets are available from the Sheffield City Hall box office on 0114 2 789 789 and admission to the “In Conversation” at 6pm is free to all ticket holders.

New community links in Sheffield

Press Release: 16 April 2012

The “Madina Masjid” may not trip easily off the tongue of many Sheffielders. However, there will not be many people who are not aware of the prominent mosque. Located on Wolseley Road, its construction generated considerable interest and debate within Sheffield when it was built in 2006 with a BBC article noting “A new landmark rises above the terraced houses of the Sharrow area of Sheffield. With its distinctive green domes and tall minarets, the city’s biggest purpose-built mosque and Islamic Centre can’t fail to grab the attention of locals and passing motorists.”

The mosque has been fully operational for five years now and runs a very popular programme of visits for the public. Individuals, groups and research students from all walks of life are welcomed and every visit includes a tour of the facilities, some background to Islamic belief and the activities carried out in the centre; as well as an open question and answer session. As Waheed Akhtar, Committee Secretary at the Mosque, explained “Visits are conducted in a relaxed, informal and easily understandable manner with the intention of improving understanding and dialogue with all our Sheffield communities, as well as being an interesting outing  into another’s culture”.

It was this open engagement and outreach into the community that led Sheffield Philharmonic Chorus to approach Waheed when they were planning a performance of Karl Jenkins’ highly popular The Armed Man.  “Classical music still appears to be quite narrow in its appeal to non-European music-lovers in Sheffield and we would love this collaboration to be a start of  a new interest in the genre for many local people” says  Peter Quarrell, who has been liaising with Waheed for the Chorus.

Following hot on the heels of leading the Alight Cultural Olympiad festival in Sheffield on 3rd March, the Chorus were keen that this concert again reached as wide an audience as possible  within  the  city.  “We approached Waheed at the mosque, since the Jenkins piece has a wide range of text. There are excerpts of war poetry, imagery written by Togi Sankichi who was in Hiroshima when the A-bomb was dropped, and an Islamic Call To Prayer”  explained Julie Smethurst, Chair of the Chorus. “We were keen to ensure that whoever performed the Call to Prayer was an authentic Muezzin who really understood and had a genuine feeling for what they were singing about.” Qamar Zaman, 35, from  Sharrow,   will be performing on the night. Brought up in rural Pakistan he attended the local village mosque with his father from an early age and has followed in his footsteps as a Muezzin. Now living in Sheffield with his wife and two children, Qamar attends the Wolseley Road mosque every day between his work in the catering industry. “I am thrilled we have been able to bring this music to the City Hall for the first time, continued Julie, especially in this Olympic year when our links to other cultures and communities seem all the more tangible”.

Performing the work with the now usual images that reflect the mood and texts of the piece, audience members shouldn’t expect an opportunity to nod off. The combined visuals of war, hatred, bigotry and violence juxtaposed with human life and faith will undoubtedly tug at the emotions. Indeed the Chorus has purposely added to the imagery with scenes from the Sheffield Blitz bringing the evening full circle to represent the community and local spirit of those war torn years back in the 1940s.

The Armed Man: A Mass for Peace will be performed along with the Black Dyke Band and the Halifax Choral Society in the City Hall on Saturday 28 April at 7pm. Tickets are available from the box office on 0114 2789789.

Alight!

Eclectic music lines up to take centre stage as part of the Cultural Olympiad

Sheffield, 12 February 2012.

Darius Battiwalla, Sheffield Philharmonic Chorus’s Music Director, will conduct a performance of unusual and rarely heard works as part of the Chorus’s contribution to Alight, the Cultural Olympiad festival taking place in Sheffield on 3rd March 2012.

The concert is being advertised as “a programme of rarely performed works” so I asked Darius why these pieces are so rarely performed. “It’s certainly not because of their musical quality which is outstanding” Darius began. “It’s just that the combination of instruments they need doesn’t fit with the usual pattern of choral concerts nowadays, which is usually orchestral or with organ. This concert uses various combinations of horns, harp and organ which sound wonderful together and mean we can explore some really interesting music”. This led me to ask Darius a few more specifics like why we don’t hear much choral music by Janacek, and what is the background to “Our Father” being performed? “We don’t hear much choral music by Janacek because there isn’t much – even though he was involved in choral music making all his life. There are really only two pieces – this short piece and the much larger Glagolitic Mass. “Our Father” was written in 1906 and is mostly reflective though it still has Janacek’s incredible energy and distinctive style.

The concert will feature the premiere of Everyone Sang commission from Yaron Hollander. “It’s a real testament to the range of talents in the Chorus that we’ve been able to commission this from one of our own members” Darius explained. “Yaron’s knowledge of singing in the choir has enabled him to write us a really effective piece which captures the mood of Sassoon’s poem”.

This is obviously going to be a very unusual concert, and music lovers in Sheffield and indeed further afield may wait many years to hear these pieces performed again. The Victoria Hall is a great acoustic for choral singing and is a venue that the Chorus has performed well in previously. Darius was also keen to point out that the event will also have some really outstanding instrumentalists performing too.

To take advantage of the opportunity to hear these distinctive works in this most unusual concert contact http://www.sheffieldcityhall.co.uk/events, 0114 2789 789 or apply in person at the Sheffield City Hall Box Office. Tickets are only £7 (plus a 70p handling charge, no reductions) Alight: Daylight, Sheffield Philharmonic Chorus and Friends will take place on Saturday, 3 March at 4.15 p.m. at the Victoria Hall Methodist Church, Norfolk Street, Sheffield S1 2JB

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The Dream of Sheffield Philharmonic Chorus

Press release: 28 October 2010

Thursday 4 November will bring back very proud memories for some of Sheffield Philharmonic Chorus’s longest standing members. A handful of their singers who recorded Elgar’s The Dream of Gerontius in 1964 for EMI records, are still singing with the Chorus today, and will join the 180-strong choir on the City Hall stage this Thursday evening.

Gerontius 1964 singers
Chorus members who took part in the 1964 recording who will be singing this Thursday

“It’s amazing to think that all these years later I have the chance to sing it The Dream again, still with my friends in the Chorus, and still in our fabulous home base of the City Hall” said Bill Smyllie, a 2nd Tenor who joined the Chorus way back in 1947. “The ten of us who took part in that exceptional recording have differing highlight memories of the two day recording session in Manchester with Sir John Barbirolli, soloists Dame Janet Baker, Richard Lewis and Kim Borg – but then it was nearly fifty years ago,” he laughed. “The fact that we can remember it at all is a testament to the positive physical and psychological benefits of singing!”

Bill is currently one of the Chorus’s longest-standing members and he has gathered together the tales of the Chorus, along with some rare photographs in a new commemorative book “Sheffield Philharmonic Chorus 1935 – 2010” to celebrate their 75th Anniversary this year. One particular story he recalls is back in 1952 when he draws a wonderful picture of a sprightly young chap being rather late to arrive at Midland Station and jumping onto an already moving train to join fellow members on a trip down to London – himself, of course. In his youthful nonchalance he so very nearly missed his chance to sing The Dream conducted by Sir John Barbirolli at the Royal Festival Hall; the piece that was then forever associated with the Chorus due to their later landmark recording.

Stella Jockel, a 2nd Alto, who joined in 1952, said “This recording and the concerts of that time were some of my first with such a large body of singers. It was a wonderful experience then and it still has the same thrill today. Thursday should be quite an emotional occasion for us all.”

It is hoped that nine of the original recording members will be singing on 4 November with the Sheffield Philharmonic Chorus and The Hallé, under the baton of Conductor James Burton.

Songs of Praise

Sheffield Philharmonic Chorus celebrate their 75th Anniversary year with an audience of over 2 million

Press release: 22 November 2010

Sheffield’s very own Philharmonic Chorus will take centre stage on BBC One on Sunday 5th December. They will feature in a choral edition of the BBC’s flagship religious programme, Songs of Praise, singing four Christmas carols, some with a distinctly Sheffield slant.

The Christmas Songs of Praise will not only net them their largest audience to date but will be particularly close to their hearts due to an unusual Sheffield connection. There is a tradition of mass singing in some of the pubs in North Sheffield and North Derbyshire, which takes place in the second half of November and throughout December, and which is often referred to as ‘The Sheffield Carols’. These events have been described as one of the most remarkable instances of popular traditional singing in the British Isles, and featured in broadcasts last Christmas on both BBC Radio 2 and 3. The Sheffield carols Hark, hark what news and Christians awake will form part of the Chorus’s Christmas programme, bringing a unique local flavour to the event.

Choirs often find themselves singing festive music rather earlier than most due to having to rehearse in the months leading up to December. Songs of Praise kept this tradition alive by being recorded way back in October. “It was all quite exciting” said Jo Briddock, a 2nd alto who has sung with the Chorus for ten years. “We got our best choral glad rags on, made sure we knew the music inside out, then sang our hearts out next to a rather splendid Christmas tree….in October”, she laughed. “But I must say that St Oswald’s on Bannerdale Road was a wonderful venue, most atmospheric and with glorious acoustics”.

The Chorus’s 75th Anniversary season has already seen them perform Elgar’s Dream of Gerontius – to high acclaim – and this will be closely followed by two Christmas Concerts, at the City Hall on Sunday 12 December. Mozart’s ever popular Requiem will follow on Friday 25 February 2011 and a performance on 3 June 2011 of Walton’s Henry V with their Patron, Samuel West. They will also be joining their colleagues of the Leeds Philharmonic Chorus for a performance of Verdi’s Requiem in Leeds Town Hall on Saturday 21 May 2011. With a DVD due for imminent release of the first recording for brass band and Chorus of Karl Jenkins’ The Armed Man it seems their 75th Anniversary year will certainly be one to remember.

Three-fold choral debut

Press release: 24 February 2011

So what do a Music Promoter turned Physiotherapist, an Independent Charity Consultant and a Project Manager with a professional interest in bus stations have in common?  Answer; Thomas Mitchell, Ian Owers and Ambrose White will all be making their choral debuts with the Sheffield Philharmonic Chorus on the City Hall stage on Friday 25th February, singing Mozart’s famous (and fabulous) Requiem.

Roughly 160 people sing with the Chorus in each concert, but don’t let the numbers fool you.  Officially amateurs, they are glad of every new member since a turnover of good voices helps to keep the standard high and everyone on their toes.  With this in mind they recently ran a free six-week workshop for male voices in order to give confidence, support and a general helping hand to any chap who fancied joining the Chorus but did not quite feel they had what it took to sing with such a professional sounding and highly attuned bunch.  Thomas Mitchell, 34 of Broomhall, and Ambrose White, 30 of Abbeydale, both attended.

3_tenors

“I heard about the Chorus from my friend Ambrose” said Thomas; Ambrose having signed up for the singing workshop.  “Intrigued, and not keen to shirk a challenge, I joined him.  The sessions proved to be an ideal platform to undress ones inadequacies of voice and receive feedback in a safe setting. Indeed, although it has been difficult to learn how to read music and express the rhythm of the written notes, I battled through the course, gained confidence and improved my technique”.  He was delighted to pass the necessary audition and says that singing is “a fantastic stimulation; physically, mentally and expressively.  There is a real thrill to be in the centre of the room when the cords are held to the Chorus Masters’ demand, and afterwards ones brain feels like it has been exercised in an incomparable way”.  So, not bad for a cold and dark Tuesday evening in the bowels of the University Arts Tower then!

Thomas, a Physiotherapist, has just returned to Sheffield after a number of years away working in London and the South coast, and has recently bought the clinic of George Chia on Wilkinson Street in Broomhall.  His job sees him working with top athletes such as the Great Britain Wheelchair Rugby team, members of the Lawn Tennis Association, British amateur boxers and has meant he has travelled too – most notably to Beijing for the Paralympics.  But music has always been a great love.  “As a child I played in wind bands then moved onto blues as a teenager”, he explained.  “Spare time in my twenties was spent promoting music gigs, club nights and raves around Sheffield and I never really understood classical music.  I had never even heard Mozart’s Requiemprior to my involvement with the Chorus” he laughed.

Thomas Mitchell tenor

Ambrose White’s story is more of a ‘slow burn’.  If asked ‘what made you decide to join a choir’, people give a variety of reasons but Ambrose’s was quite straight forward.  “I sing because, although it took me sometime to realise, I am always singing”.  Having sung in church and school choirs, it was nearly 20 years later that he heard the Chorus sing Rachmaninov’s Vespers at the City Hall and decided to join.  “Hearing that amazing performance made me recall how much I had enjoyed singing in the past”, Ambrose remembers. But even then it still took him a further three years to actually get around to taking the plunge.  “The workshops gave me the chance to join with a gentle introduction back to music theory and the confidence to sing in a group.  I came to realise that I might be good enough to join – and here I am. I think they were a great idea.”

Ian Owers, 64, from the Manor district, took a more traditional route.  “I really started singing when I joined the village church choir in my early teens – not a particularly fashionable thing to do these days” he admits “but the music wasn’t the only attraction – it was the best way of developing a social life at that stage of hormonal development!” he grins remembering back.  “And why do I sing?  Well, I guess I’ve always loved singing; it’s partly a way of self-expression that takes you out of yourself but also singing collectively in a choir has a buzz and excitement to it (especially when it all just “clicks”); and the company’s good too.   I’ve found the Sheffield ‘Phil’ particularly welcoming and friendly”.  From his early secondary school years he had a high quality, encouraging music department and the school choir regularly performed classics like the Messiah and Bach Passions and took part in a local annual music festival.

Ian continued “I’ve kept my interest in singing going intermittently since then but never really had the time until now to join a regular choir”. He recently heard a section of the Sheffield Phil lead an event for BBC Radio 4 and was impressed by the conductor’s exuberance and the sound; found himself asking if they needed tenors, and the rest, as they say, is history.

And how do they all feel about their upcoming first performance?  Ambrose admits to being “a bit apprehensive but excited”; whilst Ian gives a big smile.  He already has his sights on the Verdi Requiem the Chorus will sing in May when he says, “I’m looking forward to a lot of goose-bumps over the next few months!”

You can catch them all and the rest of the Chorus at the City Hall on Friday 25th February at 7pm.  All the best chaps!

Sheffield, 24 February 2011.