2000-2001 season

Saturday October 21st 2000, Sheffield City Hall

  • ElgarDream of Gerontius

Jean Rigby (alto), Julian Gavin (tenor), James Rutherford (bass)

Sheffield Philharmonic Chorus

Hallé Orchestra, Owain Arwel Hughes

“Given the sort of performance it received under Owain Arwel Hughes on Saturday, with the Hallé Orchestra and Sheffield Philharmonic Chorus, the inspired vision of Cardinal Newman became vivid again.” Yorkshire Post

“An exceptionally fine performance of Elgar’s music drama with an astonishingly well-sung Gerontius from Julian Gavin at the heart of it. The Hallé were excellent throughout, the Sheffield Philharmonic Chorus sang magnificently.” Sheffield Telegraph

Saturday December 16th 2000, Sheffield City Hall

  • Christmas Concert

Valerie Singleton (presenter)

Sheffield Philharmonic Chorus

Darius Battiwalla

Saturday January 26th 2001, Sheffield City Hall

  • MozartRequiem
  • MozartOverture: Magic FlutePiano Concerto no.27

Yonty Solomon (piano)

Felicity Hammond (soprano)

Sheffield Philharmonic Chorus

English Chamber Orchestra, William Boughton

“The major glory was the Sheffield Philharmonic Chorus. Diction was exceptional, balance and tone colour excellent.” Sheffield Telegraph

Saturday March 10th 2001, Sheffield City Hall

  • BachMagnificat
  • VivaldiGloria
  • HandelZadok the Priest
  • HandelConcerto Grosso op.3, no.5

Carolyn Sampson, Libby Crabtree (sopranos), Michael Chance (countertenor)

Sheffield Philharmonic Chorus

Northern Sinfonia, Paul McCreesh

“Generally, the Phil were in splendid voice again. The good balance, rhythmic pliancy and projection in Mozart’s Requiem in January was maintained.” Sheffield Telegraph

Saturday June 16th 2001, Sheffield City Hall

  • Vaughan WilliamsSea Symphony
  • Saint-SaensSymphony no.3 (Organ)

Graham Eccles (organ)

Gail Pearson (soprano), Stephen Gadd (baritone)

Sheffield Philharmonic Chorus

Hallé Orchestra, Darius Battiwalla

“Darius Battiwalla conducted his first big works in Sheffield with seemingly revelatory results, especially in the Sea Symphony which appeared to have an awareness of its grandeur and expansiveness.” Sheffield Telegraph

“The Chorus continued in good order, singing with conviction and clearly enjoying the work.” Sheffield Star

2001-2002 season

Saturday September 29th 2001, Sheffield City Hall

  • VerdiRequiem

Sandra Ford (soprano), Anne Marie Owens (alto), Dennis O’Neill (tenor), Orlin Anastassov (bass)

Sheffield Philharmonic Chorus, Hallé Choir

Hallé Orchestra, Mark Elder

“Throughout the choral singing was very fine, and with excellent clarity of diction, the hushed passages of the most beautiful quality.” Yorkshire Post

“The combined Sheffield Philharmonic Chorus and Hallé Choir sang with excellent balance, diction and togetherness, and Elder got some splendid sounds from them.” Sheffield Telegraph

Saturday December 1st 2001, Sheffield City Hall

  • HandelMessiah

Deborah York (soprano), Jean Rigby (alto), Mark Padmore (tenor), Michael George (bass)

Sheffield Philharmonic Chorus

Hallé Orchestra, Harry Bicket

“Rarely can a Philharmonic performance of Handel’s oratorio have been better than this. The Sheffield Philharmonic Chorus, in superb voice, sounded positively inspired.” Sheffield Telegraph

Saturday December 15th 2001, Sheffield City Hall

  • Christmas Concert

John Noakes (presenter)

Sheffield Philharmonic Chorus

Northern Symphony Orchestra, Darius Battiwalla

Saturday March 9th 2002, Sheffield City Hall

  • MahlerSymphony no.2
  • HaydnSymphony no.62

Lynne Dawson (soprano), Jane Irwin (alto)

Sheffield Philharmonic Chorus

Royal Liverpool Philharmonic Orchestra, Libor Pesek

“The chorus’s hushed opening entry was magical, and throughout their brief appearance they were in fine form, bringing the work to a thrilling conclusion.” Yorkshire Post

“The Philharmonic Chorus sustained the opening two verses of Klopstock’s Resurrection Ode extremely well on their initial entry, singing with requisite power thereafter.” Sheffield Telegraph

“This really caught the imagination of the City Hall audience. It was no surprise. Right from the opening bars you sensed this was going to be something special.” Sheffield Star

Saturday April 6th 2002, Sheffield City Hall

  • ElgarSpirit of England
  • StraussMetamorphosen
  • SibeliusSymphony no.5

Cheryl Barker (soprano)

Sheffield Philharmonic Chorus, Hallé Choir

Hallé Orchestra, Mark Elder

“The 250 voices or so of the Sheffield Philharmonic Chorus and members of the Hallé Choir made an exciting sound.” Sheffield Telegraph

Saturday May 11th 2002, Sheffield City Hall

  • RachmaninovThe Bells
  • RachmaninovRhapsody on a Theme of Paganini
  • GlinkaOverture: Ruslan and Ludmilla
  • KhatchaturianSpartacus

Igor Tchetuev (piano)

Louise Canon (soprano), Darren Abrahams (tenor), Roland Wood (bass)

Sheffield Philharmonic Chorus, Leeds Philharmonic Chorus

St Petersburg Symphony Orchestra, Alexander Dmitriev

“Combining the Sheffield and Leeds Philharmonic Choirs created the red-blooded power required for a thrilling performance of Rachmaninov’s cantata The Bells” Yorkshire Post

“It was a fine performance, the combined Sheffield Philharmonic/Leeds Philharmonic choruses excelling in the Mussorgskyian choral writing of the third movement.” Sheffield Telegraph

Saturday May 18th 2002, Leeds Town Hall

  • RachmaninovThe Bells
  • KhatchaturianSpartacus
  • TchaikovskyViolin Concerto

Tasmin Little (violin)

Louise Canon (soprano), Darren Abrahams (tenor), Roland Wood (bass)

Sheffield Philharmonic Chorus, Leeds Philharmonic Chorus

St Petersburg Symphony Orchestra, Alexander Dmitriev

Saturday July 20th 2002, York Minster

  • BeethovenSymphony no.9
  • BrittenNational Anthem
  • BrahmsVariations on a theme by Haydn

Sheffield Philharmonic Chorus, Leeds Festival Chorus

Orchestra of St John Smith’s Square, John Lubbock

2002-2003 season

Saturday October 26th 2002, Sheffield City Hall

  • WaltonBelshazzar’s Feast
  • HolstThe Planets
  • Colin MatthewsPluto

Ashley Holland (baritone)

Sheffield Philharmonic Chorus, Hallé Choir

Hallé Orchestra, Mark Elder

“An unbelievably musical Walton Belshazzar’s Feast can be summed up briefly: absolutely superb and one of the best performances in `living memory.” Sheffield Telegraph

“Rarely can the final moments of Walton’s Belshazzar’s Feast have sounded so joyful and exuberant as in this performance” Yorkshire Post

Saturday November 8th 2002, Sheffield City Hall

  • WaltonHenry V
  • ElgarIn the South
  • BerliozQueen Mab Scherzo

Samuel West (narrator)

Sheffield Philharmonic Chorus, Hallé Choir

Hallé Orchestra, Mark Elder

“As a piece of music drama held together by West’s spellbinding narration, this was rich entertainment.” Yorkshire Post

Sunday November 9th 2002, Arts Centre, Warwick University

  • WaltonHenry V
  • ElgarIn the South
  • BerliozQueen Mab Scherzo

Samuel West (narrator)

Sheffield Philharmonic Chorus, Hallé Choir

Hallé Orchestra, Mark Elder

Saturday December 21st 2002, Sheffield City Hall

  • Christmas Concert

Brian Kay (presenter)

Sheffield Philharmonic Chorus

Northern Symphony Orchestra, Darius Battiwalla

“The chorus are in particularly fine voice at the moment.” Yorkshire Post

Friday February 7th 2003, Bridgewater Hall, Manchester

  • ProkofievAlexander Nevsky
  • ProkofievMarch from The Love of Three OrangesCello concerto

Steven Isserlis (cello)

Ekaterina Gubanova (mezzo soprano)

Sheffield Philharmonic Chorus, Huddersfield Choral Society

BBC Philharmonic Orchestra, Sir Edward Downes

(broadcast on BBC Radio 3 in 2003, and again December 1st 2009)

“The highlight was a stunning performance of the cantata Alexander Nevsky.” The Observer

“Then Sir Edward returned for the Nevsky Cantata that should have converted anyone who had ever doubted its greatness.” Daily Telegraph

“In the Huddersfield Choral Society and Sheffield Philharmonic we have two of the finest choruses in the country. The whole performance was superb.” Yorkshire Post

Saturday March 8th 2003, Sheffield City Hall

  • BachMass in B minor

Sarah Fox (soprano), Angharad Gruffydd Jones (soprano), Frances Bourne (mezzo-soprano), Andrew Carwood (tenor), Robert Rice (bass)

Sheffield Philharmonic Chorus

Northern Sinfonia, Simon Halsey

Saturday April 12th 2003, Leeds Town Hall

  • MahlerSymphony no.3

Suzanna Poretsky (soprano)

Leeds Philharmonic Chorus, Sheffield Philharmonic Chorus, Manchester Boys’ Choir

Orchestra of Opera North, Stephen Sloane

“The ladies of the Leeds Philharmonic, Sheffield Philharmonic and Manchester Boys choirs joined her, and you could not wish for better in their short contribution” Yorkshire Post

Saturday May 17th 2003, Leeds Town Hall

  • VerdiRequiem

Christine Brewer (soprano), Patricia Bardon (mezzo-soprano), Paul Charles Clarke (tenor), Peter Sidhom (bass)

Leeds Philharmonic Chorus, Sheffield Philharmonic Chorus

BBC Philharmonic Orchestra, Gianandrea Noseda

(broadcast on BBC Radio 3, December 10th 2003, 2pm)

“he generated tremendous excitement in the Dies Irae section, the combined Leeds Philharmonic and Sheffield Philharmonic choirs no doubt surprising themselves at the volume and passion they can generate.”…”throughout the choral diction was exemplary.” Yorkshire Post

Saturday May 24th 2003, Bridgewater Hall, Manchester

  • VerdiRequiem
  • StravinskyMonumentum pro Gesualdo di Verona

Barbara Frittoli (soprano), Luciana d’Intino (contralto), Hugh Smith (tenor), Sergei Aleksashkin (bass)

Leeds Philharmonic Chorus, Sheffield Philharmonic Chorus

BBC Philharmonic Orchestra, Gianandrea Noseda

(broadcast on BBC Radio 3, June 24th 2003, 7.30pm)

“Disciplined singing from the combined Leeds Philharmonic and Sheffield Philharmonic Choruses supplied the requisite stentorian impact”…”this was an evening that set an impressive seal on Noseda’s first season in charge of the BBC Philharmonic.” Daily Telegraph

“The subdued beginning, Requiem Aeternam, was penitent, with the BBC PO’s muted strings gentle and tender. The Leeds Philharmonic Chorus and Sheffield Philharmonic Chorus combined to produce a refined texture. The `Dies Irae, by contrast, was a terrifying blaze.” The Guardian

The joint forces of the Leeds and Sheffield Philharmonic choruses sang with heart and responsiveness, especially in the nimble Sanctus.” The Independent

“From the outset, the combined Leeds and Sheffield Philharmonic Choruses sang with a subtlety and flexibility which only the most gifted conductors obtain.”…”They were majestic in full strength” Manchester Evening News

Saturday June 14th 2003, Sheffield City Hall

  • FauréRequiem
  • PoulencGloria
  • PoulencConcerto for organ, strings and timpani

Graham Eccles (organ)

Gail Pearson (soprano), Richard Morrison (baritone)

Sheffield Philharmonic Chorus

Royal Liverpool Philharmonic Orchestra, Darius Battiwalla

“Sheffield Philharmonic Chorus, who promoted the concert, sang the Fauré superbly, managing to reduce their volume without losing clarity and projection.” Sheffield Telegraph

2003-2004 season

Saturday September 27th 2003, Sheffield City Hall

  • BeethovenSymphony no.9, and Choral Fantasia

Derek Han (piano)

Alison Buchanan (soprano), Rachel Copley (soprano), Ruth Peel (mezzo), Colin Judson (tenor), Michael Dewis (bass)

Sheffield Philharmonic Chorus

Royal Philharmonic Orchestra, Owain Arwel Hughes

“The Sheffield Philharmonic Chorus rose to the vocal heights of the last movement with sonorous weight and full-blooded commitment” Sheffield Telegraph

“The evening ended with a genuine feeling of triumph through adversity that would, hopefully, have brought joy to the composer.” Yorkshire Post

Saturday November 22nd 2003, Leeds Town Hall

  • BeethovenMissa Solemnis

Sylvia Greenberg (soprano), Susan Bickley (mezzo), Joseph Cornwell (tenor), Ashley Holland (bass)

Leeds Philharmonic Chorus, Sheffield Philharmonic Chorus

Royal Liverpool Philharmonic Orchestra, Stephen Sloane

“Fortified by a large contingent from the Sheffield Philharmonic, the Leeds chorus made a most impressive sound, exemplary in attack and clarity of diction.” … “The strain on sopranos is notorious in this work, but here they stuck to their task and were unstinting in the fortissimo passages.” Yorkshire Post

Friday December 5th 2003, Northampton

  • HandelMessiah

Amy Freston (soprano), Catherine Carby (mezzo soprano), Joshua Ellicott (tenor), Andrew Kidd (bass)

Sheffield Philharmonic Chorus

Manchester Camerata, Darius Battiwalla

Saturday December 6th 2003, Sheffield City Hall

  • Christmas Concert

Brian Kay (presenter)

Sheffield Philharmonic Chorus

Black Dyke Mills Band, Darius Battiwalla

Friday December 19th 2003, Sheffield City Hall

  • HandelMessiah

Amy Freston (soprano), Stephen Wallace (countertenor), Joshua Ellicott (tenor), Andrew Kidd (bass)

Sheffield Philharmonic Chorus

Manchester Camerata, Darius Battiwalla

Friday March 19th 2004, Sheffield City Hall

  • VerdiStabat MaterTe Deum
  • SibeliusPohjola’s Daugher,op.49
  • BrahmsSymphony no.4 in E minor, op.98

Sally Johnson (soprano)

Sheffield Philharmonic Chorus, Halifax Choral Society

Hallé Orchestra, Susanna Maelkki

Friday April 9th 2004, Sheffield City Hall

  • BachSt. John Passion

John Graham-Hall (soloist), Jonathan Best (soloist), Sarah Fox (soprano), Gaynor Keeble (alto), Andrew Carwood (tenor), Jeremy Huw Williams (bass)

Sheffield Philharmonic Chorus

Northern Sinfonia, Darius Battiwalla

“The Philharmonic Chorus underpinned the performance superbly for conductor Darius Battiwalla, their music director. The ‘nagging’ at Pilate was extremely effective but only one facet of magnificent choral singing, full of vitality, vigour and bite. A big chorus, they sang as one with seemingly faultless unanimity and the part-writing was unfailingly clean and balanced with consistent clarity and focus.” Sheffield Telegraph

Saturday May 22nd 2004, Leeds Town Hall

  • DvorakSt. Ludmila

Sally Matthews (soprano), Susan Bickley (mezzo-soprano), James Gilchrist (tenor), Neal Davies (bass)

Leeds Philharmonic Chorus, Sheffield Philharmonic Chorus

BBC Philharmonic Orchestra, Gianandrea Noseda

(broadcast on BBC Radio 3, May 23rd 2004)

“Gianandrea Noseda certainly threw himself into the work with enthusiasm, and drew from the combined Leeds and Sheffield Philharmonic Choruses both refined and spirited singing.” Yorkshire Post

2004-2005 season

Saturday October 30th 2004, Sheffield Cathedral

  • DurufléRequiem

  • BachHarpsichord Concerto no.1 in D minor

  • DvorákSerenade for Strings in E

Cari Searle (mezzo soprano), Stephen Wells (baritone)

Sheffield Philharmonic Chorus

Manchester Camerata, Darius Battiwalla (conductor, harpsichord)

The ethereality in the Kyrie, repose at Lux Aeterna and sense of tranquility in In Paradisum sounded wonderful.” … “The concert was another triumph for the Phil’s music director Darius Battiwalla, not just as conductor but as a dextrously-fingered soloist in Bach’s Harpsichord Concerto no.1” Sheffield Telegraph

“…the free-flowing speech like rhythms were handled beautifully, as were the murmuring string and organ accompaniments.” … “What was unexpected were the great surges in sound and emotion that carried one along almost physically, from the overwhelming power of the sopranos and altos (large numbers in a fairly confined space) to the well controlled mezzo-soprano and baritone solos from Cari Searle and Stephen Wells.” Yorkshire Post

Monday November 8th 2004, Sage Centre, Newcastle (BBC Studio recording)

  • HolstThe Planets

Ladies of Sheffield Philharmonic Chorus

BBC Philharmonic Orchestra, Gianandrea Noseda

This concert was broadcast on BBC Radio 3 on May 27th 2009.

Saturday December 18th 2004, Firth Hall, Sheffield

Christmas Concert

Roger Bingham (compère), Neil Sharp (tenor), Neil Taylor (organ)

Sheffield Philharmonic Chorus

Darius Battiwalla

Sunday December 19th 2004, Firth Hall, Sheffield

Christmas Concert

Roger Bingham (compère), Neil Sharp (tenor), Neil Taylor (organ)

Sheffield Philharmonic Chorus

Darius Battiwalla

Thursday March 10th 2005, Symphony Hall, Birmingham

MahlerSymphony no.2 (The Resurrection)

Sarah Tynan (soprano), Christianne Stotijn (contralto)

Leeds Festival Chorus, Leeds Philharmonic Chorus

(Members of the Sheffield Philharmonic Chorus were invited to join this performance at quite short notice, and about 12 did so.)

Netherlands Symphony Orchestra, Jaap van Zweden

Saturday April 2nd 2005, Bridgewater Hall, Manchester

  • MahlerSymphony no.2 (The Resurrection)

Janice Watson (soprano), Katarina Karneus (contralto)

Leeds Philharmonic Chorus, Sheffield Philharmonic Chorus

BBC Philharmonic Orchestra, Gianandrea Noseda

(broadcast on BBC Radio 3, April 3rd 2005)

We arrived at last at the massive finale. The sonic effects, as expected, were rousingly displayed, with portions of the Philharmonic brass, never less than thrilling, strewn round the auditorium. But the best sounds of all emerged from the choirs – the Leeds and Sheffield Philharmonic Choruses – singing with that soft, comforting tone rigorously denied in this symphony before. Then came the last exultation, with choirs, Karnéus, the soprano Janice Watson, and the Hall organ layered over the orchestra, lifting us beyond earthly life to the heart of God.” The Times

“…an elevated account...” Sunday Telegraph

“It was given a magnificent performance by the [BBC] Phil under Gianandrea Nosdea, urgency and drama ever to the fore.” … “The combined Leeds Philharmonic and Sheffield Philharmonic choruses made a valiant sound” Manchester Evening News

Saturday April 16th 2005, Sheffield Cathedral

  • RachmaninovAll-Night Vigil (Vespers)

  • StanfordThree motets

  • StanfordThree biblical songsFantasia and Toccata

Jennifer Westwood (contralto), Neil Sharp (tenor)

Sheffield Philharmonic Chorus

Darius Battiwalla (conductor, organ)

What a pleasure to hear classics like Stanford’s Three Motets sung without the usual sagging intonation of thin tone where split parts are exposed.” … “In his Vespers, Rachmaninov creates a universe sustained by its own internal logic: the harmonies, the vocal textures, the polyphony (all so different rom the style of his piano concertos), seem there simply because they are right, because that’s the way things should be. […] Magnificent in the massed choral sections and in supporting the full, rich contralto of Jennifer Westwood and the soaring, plaintive tenor of Neil Sharp, the choir’s range of expression and dynamics kept the faithful focused.Sheffield Star

“… the Phil’s rare outing for Rachmaninov’s profound Vespers setting was a considerable achievement. […] Lasting 60 minutes, the Phil sustained it admirably with fine balance for a big choir, multiple sonorities, unflagging energy, consistent, first attack and impeccable entries (except for a stray tenor in No.2), all of which conductor Darius Battiwalla must take a chunk of credit for..” Sheffield Telegraph

Saturday May 21st 2005, Leeds Town Hall

  • BrahmsEin Deutsches Requiem (German Requiem)

  • SchumannNachtlied

  • MahlerLieder eines fahrenden Gesellen

Maureen Braithwaite (soprano), Christopher Purves (baritone)

Leeds Philharmonic Chorus, Sheffield Philharmonic Chorus

BBC Philharmonic Orchestra, David Hill

This concert was broadcast on BBC Radio 3 on February 27th 2006 (Schumann), April 11th 2006 (Brahms)

Saturday’s concert, which closed the present season, was also Hill’s inaugural appearance with the Leeds Philharmonic Society which was joined by the Sheffield Philharmonic Chorus for a commanding performance of Brahms’s German Requiem. His sense of architecture and balanced orchestral colour together with his ability to keep the music flowing, so essential with Brahms, made the performance powerful and memorable.” … “The evening opened with Nachtlied, Schumann’s short choral song, a delightful rarity and a moving little masterpiece.” Yorkshire Post

“…crisp and wonderfully expressive singing that he coaxed from his choir and the splendid Sheffield Philharmonic Chorus… The airy textures in the Requiem’s most well-known number, the consoling ‘How lovely are thy dwellings fair’ were a revelation. So too were the looks of enjoyment on the faces of the choirs as they sang it . ” Leeds Town Hall

Saturday June 11th 2005, Lincoln Cathedral

  • RachmaninovAll-Night Vigil (Vespers)

  • StanfordThree motets

  • StanfordThree biblical songsFantasia and Toccata

Jennifer Westwood (contralto), Neil Sharp (tenor)

Sheffield Philharmonic Chorus

Darius Battiwalla (conductor, organ)

2005-2006 season

Saturday September 10th 2005, Heaton Park, Manchester

  • Proms in the Park

Sheffield Philharmonic Chorus

BBC Philharmonic Orchestra, Stephen Bell

Saturday October 15th 2005, Sheffield City Hall

  • WaltonCoronation Te Deum

  • ParryBlest Pair of Sirens

  • Holst: Movements from The Planets

  • RachmaninovRhapsody on a Theme of Paganini

  • ElgarEnigma Variations

Nelson Goerner (piano)

Sheffield Philharmonic Chorus

Hallé Orchestra, Mark Elder

Walton’s Coronation Te Deum and Parry’s Blest Pair of Sirens under Darius Battiwalla […] sounded splendid when the Phil were raising the roof.” Sheffield Telegraph

The celebratory second half began with Walton’s Te Deum, allowing Darius Battiwalla the chance, as conductor, to show how well the Philharmonic Chorus can now cope with such daunting orchestration.” Sheffield Star

Friday December 2nd 2005, Sheffield City Hall

  • HandelThe Messiah (Mozart’s edition)

Angharad Gruffyd Jones (soprano), Sarah Castle (alto), Joshua Ellicott (tenor), Jeremy Huw Williams (baritone)

Sheffield Philharmonic Chorus

Northern Sinfonia, Darius Battiwalla

The Phil Chorus sang magnificently for their director and the performance conductor Darius Battiwalla. They were almost faultless in terms of diction, projection, balance, even with under-populated tenor ranks, and often provided exceptional choral singing, a superb example being the textural clarity for a big chorus in For Unto Us a Child.” Sheffield Telegraph

Saturday December 17th 2005, Sheffield City Hall

Christmas Concert

Henry Kelly (compere)

Sheffield Philharmonic Chorus

Manchester Camerata, Darius Battiwalla

Saturday February 11th 2006, Bridgewater Hall, Manchester

  • ShostakovichSymphony no.13

  • ShostakovichSymphony no.12

John Tomlinson (bass)

Huddersfield Choral Society, Sheffield Philharmonic Chorus, Bulava Chorus

BBC Philharmonic Orchestra, Vassily Sinaisky

This concert was broadcast on BBC Radio 3 on February 13th 2006.

“The great Sir John Tomlinson, three male choirs, Sinaisky and his orchestra combined in a wonderful performance.” Sunday Telegraph

John Tomlinson was the dramatically instinctive soloist in a stunning performance of the 13th Babi-Yar Symphony, capturing the changes from paradox to poignancy.” The Independent

Performances in the symphony series have been in many cases unforgettable. […]John Tomlinson was declamatory in his solo role — and combined forces from the Huddersfield Choral Society, Sheffield Philharmonic Chorus and Bulava Chorus produced excellent timbre. This was superbly sustained — one of the great marathons of the festival.” Manchester online

Saturday February 18th 2006, Sheffield City Hall

  • MozartDavidde Penitente

  • StraussTill EulenspiegelRosenkavalier Suite

Wendy Dawn Thompson (soprano), Elizabeth Watts (soprano), Paul Agnew (tenor)

Sheffield Philharmonic Chorus

Royal Liverpool Philharmonic Orchestra, Gerard Schwarz

The Philharmonic Chorus appeared to be in good, fulsome voice and sounded particularly imposing in the Bach-ian Se vuoi puniscimi. Sheffield Telegraph

Saturday March 25th 2006, Sheffield City Hall

  • TippettA Child of Our Time

  • BeethovenSymphony no.1

Gweneth-Ann Jeffers (soprano), Margaret McDonald (alto), Alan Oke (tenor), Roland Wood (baritone)

Sheffield Philharmonic Chorus

Hallé Orchestra, Andre de Ridder

Sometimes the quality of a performance can allow one to simply be carried away with the composer’s voice. Through the Hallé and the Sheffield Philharmonic Chorus, Tippett spoke clearly and convincingly of the link between oppression and terrorism. […] the last word should go to the Philharmonic Chorus, coached by Darius Battiwalla and fired by de Ritter and the Hallé into a distillation of Tippett’s message, particularly in the spirituals, so that after Deep River we were left with a universal longing for ‘That Land where all is peace’.” Sheffield Star

Saturday May 20th 2006, Leeds Town Hall

  • BerliozTe Deum

  • DebussyLa damoiselle élue

  • RavelMother Goose Suite

Catherine Wyn Rogers (mezzo soprano), Adrian Thompson (tenor)

Leeds Philharmonic Chorus, Sheffield Philharmonic Chorus

Royal Liverpool Philharmonic Orchestra, David Hill

The greater rarity was Debussy’s setting of Dante Gabriel Rossetti’s poem The Blessed Damozel […] expressed with a voluptuousness beautifully captured by the choruses, and by mezzo-soprano Catherine Wyn Rogers. […] The performance of Berlioz’s Te Deum was […] a vibrant and sturdy experience. […] The powerful singing of the opening hymn (Te Deum laudamus) and the following Tibi omnes […] made sensational listening. […] The whole performance ended with a powerful blaze of colour, Judex crederis, bringing out the best of both great choral societies.” Yorkshire Post

Saturday June 3rd 2006, Sheffield City Hall

Opera Gala

Alwyn Mellor (soprano), Jeffrey Lloyd Roberts (tenor)

Sheffield Philharmonic Chorus

Manchester Camerata, Martin André

Saturday July 1st 2006, St George’s Hall, Bradford

  • DeliusSea Drift

  • DeliusViolin ConcertoWalk to the Paradise Garden

  • FenbyRossini on Ilkla Moor

  • Vaughan WilliamsThe Lark Ascending

Tasmin Little (violin)

James Rutherford (baritone)

Leeds Festival Chorus, Sheffield Philharmonic Chorus

BBC Philharmonic Orchestra, Rumon Gamba

This concert was broadcast on BBC Radio 3 on July 3rd 2006, repeated October 12th 2006.

Best by far was Sea Drift, Delius’s magnificent cantata to words by Walt Whitman. James Rutherford brought nobility and fervour to the baritone solos, the BBC Philharmonic came into its own, and the combined Leeds [Festival] and Sheffield Philharmonic Choirs filled the St George’s Hall with refulgent tone. This is evidently a work close to Gamba’s heart, and he steered it unerringly towards and away from its passionate high points.” Daily Telegraph

James Rutherford was a passionate, moving soloist, surrounded by the stirring voices of the Leeds Festival Chorus and Sheffield Philharmonic Chorus.” The Times

“‘Delius Inspired’ is the title Tasmin Little chose for her festival celebrating Bradford’s greatest musical son, and the opening concert was inspired indeed. […] James Rutherford rose and fell exquisitely within the complex and passionate texture supplied by the orchestra and superb Leeds Festival and Sheffield Philharmonic Choruses in Sea Drift, arguably the most perfect of Delius’s large-scale works.” Yorkshire Post

2006-2007 season

Saturday October 7th 2006, Victoria Hall, Sheffield

  • Rachmaninov Vespers (excerpts)

  • Finzi God is gone up

  • John Tavener Two carols

  • Bruckner Two motets

  • Haydn Missa Brevis

  • Vaughan Williams Antiphon

Sheffield Philharmonic Chorus

Graham Eccles (organ), Darius Battiwalla

Saturday December 2nd 2006, Sheffield City Hall

Christmas Concert

Sarah Walker (compere)

Sheffield Philharmonic Chorus

Hallé Orchestra, Darius Battiwalla

Friday March 2nd 2007, 7.30pm, Sheffield City Hall

  • OrffCarmina Burana

  • Vaughan WilliamsTowards the Unknown Region

  • Vaughan WilliamsTallis Fantasia

Gillian Keith (soprano), Mark Milhofer (tenor), Jeremy Huw Williams (baritone)

Sheffield Philharmonic Chorus

Manchester Camerata, Darius Battiwalla

Conductor Darius Battiwalla seemed to have a grasp of Orff’s eccentric musical architecture and his chorus sang as if they believed every word. […] The chorus’ diction was better than it had been in an otherwise superbly sung Toward the Unknown Region by Vaughan Williams.” Sheffield Telegraph

Sunday April 1st 2007, 4.00pm, Sheffield City Hall

  • VivaldiGloria

  • HandelDixit DominusZadok the Priest

  • VivaldiSpring

Bradley Creswick (violin)

Gillian Keith, Elizabeth Cragg (sopranos), Frances Bourne (mezzo), Ed Lyon (tenor), David Soar (bass)

Sheffield Philharmonic Chorus

Northern Sinfonia, Darius Battiwalla

Friday April 6th 2007, Audimax Hall, Universität Bochum, Germany

  • MozartRequiem

  • MozartFantasie f-moll für Orgel solo

  • DupréSymphony for Organ and Orchestra [Harry Curtis (conductor)]

Wayne Marshall (organ)

Violet Noorduyn (soprano), Anjara Ingrid Bartz (alto), Robert Getchell (tenor), Thorsten Gümbel (bass)

Bochum Philharmonischer Chor, Sheffield Philharmonic Chorus

Bochum Symphoniker, Wayne Marshall

Mozarts Requiem ist ein außergewöhnliches, dunkles Werk für Chor, Solisten und Orchester und nie ist seine Aufführung stimmiger als an einem Karfreitag. Mit den großartigen Solisten Violet Noorduyn (Sopran), Anjara Ingrid Bartz (Alt), Robert Getchell (Tenor) und Thorsten Grümbel (Bass), die mit einer unprätentiösen Art des Vortrags glänzten, und den stimmgewaltigen Philharmonischen Chören aus Bochum und Sheffield, brachten die Symphoniker die Komposition überzeugend zu Gehör.” Ruhr Nachrichten

Saturday May 19th 2007, Leeds Town Hall

ElgarThe Apostles

Janice Watson (soprano), Jane Irwin (alto), Christopher Gillett (tenor), Christopher Purves, Ashley Holland (baritone), Paul Whelan (bass)

Leeds Philharmonic Chorus, Leeds Girls’ Junior & High School Choirs, Sheffield Philharmonic Chorus

Royal Liverpool Philharmonic Orchestra, David Hill

In celebrating the 150th anniversary of Elgar’s birth, the Leeds and Sheffield Philharmonic Choruses joined with the Leeds Girls’ High School choir to give a thrilling reading. The male voices were uncommonly robust and ideally balanced the larger female departments.” Yorkshire Post

Elgar always regarded Gerontius as his finest work but his orchestration for The Apostles is richer and brilliantly coloured, particularly in relation to his portrayal of the individual characters represented by the soloists. The soloists, chorus and orchestra are much more closely integrated as participants in the unfolding drama. All the more reason to cherish last Saturday’s remarkable performance presided over by David Hill, Leeds Philharmonic Society’s dynamic Music Director. Hill is a renowned choral conductor who always creates a bright, vivid impression. His realisation of Elgar does not contain a hint of stodginess; choral and orchestral textures were always cystal clear and every subtle detail carefully revealed. Hill’s mastery of structure, essential for a colossal work such as this, was absolute. The stellar line-up of soloists consisted of soprano Janice Watson as Mary, contralto Jane Irwin as Mary Magdalene, tenor Christopher Gillett as John; basses Christopher Purves as Peter, Paul Whelan as Judas and Ashley Holland as Jesus — placed high up in a balcony box from where his voice cast an aura of mysticism over the performance. An enthralling evening and a sublime finale to the 2006/07 Leeds International Concert Season.” Ilkley Gazrette

2007-2008 season

Saturday September 29th 2007, Sheffield City Hall

  • 75th anniversary Gala concert, including

  • BeethovenOde to Joy

Lesley Garrett (soprano)

Sheffield Philharmonic Chorus

Manchester Camerata, Phillip Ellis

The Philharmonic Chorus sung lustily, were suitably reposeful in the Mozart and sang well enough in a […] truncated last movement of Beethoven’s Choral Symphony.” Sheffield Telegraph

Saturday November 10th 2007, Victoria Hall, Sheffield

  • DurufléMotets

  • FauréRequiem

Ruth Jones (soprano)

Sheffield Philharmonic Chorus

Daniel Gordon (organ), Darius Battiwalla

 

Saturday December 8th 2007, Sheffield City Hall

HandelMessiah

Elizabeth Cragg (soprano), Frances Bourne (mezzo soprano), Joshua Ellicott (tenor), David Soar (bass)

Sheffield Philharmonic Chorus

Manchester Camerata, Darius Battiwalla

“…the choral sequence after He Was Despised was dramatically impressive […] Soprano Elizabeth Cragg and mezzo Frances Bourne sang beautifully, neither having particularly big voices but well-placed to just about carry in the hall, while with more animated music, tenor Joshua Ellicott, with forthright singing and meaningful use of words, and bass David Soar, with heroic power, often filled it.” Sheffield Telegraph

Saturday December 15th 2007, Sheffield City Hall

Christmas Concert

Ian MacMillan (compère)

Sheffield Philharmonic Chorus

Black Dyke brass band, Darius Battiwalla

Wednesday January 16th 2008, Sheffield City Hall Ballroom

TallisSpem in Alium

RachmaninovVespers (excerpts)

Sheffield Philharmonic Chorus

Darius Battiwalla

Friday March 21st 2008, Sheffield City Hall

BachSt John Passion

Carolyn Sampson (soprano), Claire Wilkinson (mezzo soprano), Mark Tucker (tenor, Evangelist), Matthew Hargreaves (bass, Christus), Robert MacDonald (bass)

Sheffield Philharmonic Chorus

Manchester Camerata, Nicholas Kraemer

“…The Phil, in excellent voice throughout, sang with excellent balance, vigour, intent and subtle interpretive nicety, the ‘fussiness’ when casting lots for Christ’s robe, for instance.” Sheffield Telegraph

Thursday May 29th 2008, Sheffield City Hall

  • ElgarThe Music Makers

  • PoulencSuite: Les Biches

  • Vaughan WIlliamsFive variants on Dives and Lazarus

  • BrittenFour Sea Interludes

Christine Rice (mezzo soprano)

Sheffield Philharmonic Chorus

Hallé Orchestra, Martyn Brabbins

“…Sheffield Philharmonic Chorus […] tackled the work with vigorous intent, if occasional lack of projection, though not in the first sequence with Christine Rice, which quotes Nimrod, and after where their singing was uplifting.” Sheffield Telegraph

2008-09 season

Friday September 12th 2008, Royal Albert Hall, London

Prom 75

  • WagnerParsifal – Prelude

  • PendereckiThrenody ‘For the Victims of Hiroshima’

  • BeethovenElegische Gesang, op.118

  • BeethovenSymphony no.9

Emma Bell (soprano), Jane Irwin (mezzo soprano), Timothy Robinson (tenor), Iain Paterson (baritone)

City of Birmingham Symphony Chorus, Sheffield Philharmonic Chorus

BBC Philharmonic Orchestra, Gianandrea Noseda

This concert was broadcast on BBC Radio 3, September 12th 2008

The real pay-off of this high-mindedness came with the Symphony, which more than usually seemed a journey from darkness to light.” The Guardian

The BBC Philharmonic made a better impression on Friday, rigorously rehearsed by its chief conductor, Gianandrea Noseda, in Beethoven’s Symphony No.9. The programme proposed a spiritual journey, taking in Penderecki’s Threnody “For the Victims of Hiroshima” […] valiant singing by the City of Birmingham Symphony Chorus…” Financial Times

The City of Birmingham Symphony Chorus are so well versed they managed to create a frisson...” Opera Today

Friday September 26th 2008, Bridgewater Hall, Manchester

  • BeethovenSymphony no.9

  • BerioFormazioni

Hillevi Martinpelto (soprano), Jane Irwin (mezzo soprano), Paul Nilon (tenor), Iain Paterson (baritone)

City of Birmingham Symphony Chorus, Sheffield Philharmonic Chorus

BBC Philharmonic Orchestra, Gianandrea Noseda

This concert was broadcast on BBC Radio 3, September 26th 2008

It sounded 10 times better than in the Royal Albert Hall. Just two weeks ago, Gianandrea Noseda and the BBC Philharmonic, with the City of Birmingham Symphony Chorus, brought the serious part of the BBC Proms to a close with Beethoven’s ninth symphony. On Friday they were live on radio with it again, this time in a concert from the Bridgewater Hall. And, having been present both down there and up here, I can say the second performance was a deeply stirring and moving experience.” Manchester Evening News

Saturday September 27th 2008, Sheffield City Hall

  • BeethovenSymphony no.9

  • LisztDante Symphony

Hillevi Martinpelto (soprano), Jane Irwin (mezzo soprano), Paul Nilon (tenor), Iain Paterson (baritone)

Sheffield Philharmonic Chorus

BBC Philharmonic Orchestra, Gianandrea Noseda

“…the chorus shook the rafters in the last movement of Beethoven’s Choral Symphony. Singing without scores, the chorus sang its collective heart out, making a magnificent sound in the process and driven by a tornado called Noseda whose beat they could hardly miss. Also without scores as a prop, the four soloists were superb, the choral section being lead off in true heroic Wagnerian style by Iain Paterson, but the evening’s hero was on the podium.” Sheffield Telegraph

Saturday November 1st 2008, Sheffield City Hall

  • MonteverdiOuverture de l’Orfeo

  • GabrieliGloria

  • GabrieliCanzon duodecimi toni

  • BrahmsEs ist ein Ros’ entsprungen

  • BrahmsGeistliches Lied

  • BrucknerAfferentur Regi

  • BrucknerAve Maria

  • BrucknerEcce sacerdos

  • Vaughan WilliamsO Clap your Hands

  • LangfordLondon Miniatures

  • RutterTe Deum

  • RutterGloria

Simon Lindley (organ)

Sheffield Philharmonic Chorus

Harlequin Brass Ensemble, Darius Battiwalla

Saturday December 13th 2008, Sheffield City Hall

Christmas Concert

Brian Kay (presenter)

Sheffield Philharmonic Chorus

Northern Chamber Orchestra Sinfonia, Darius Battiwalla

“…the smartly turned out ladies and gents of the Sheffield Philharmonic Chorus near enough lifted the roof off with Oh Holy Night as one of their performance highlights…”Sheffield Star

Wednesday February 4th 2009, Ballroom of Sheffield City Hall

ParrySongs of Farewell

Vaughan WilliamsMass in G minor

Sheffield Philharmonic Chorus

Darius Battiwalla

Friday March 6th 2009, Sheffield City Hall

MendelssohnElijah

Janice Watson (soprano), Susan Bickley (mezzo soprano), Andrew Kennedy (tenor), Roderick Williams (baritone)

Sheffield Philharmonic Chorus

Hallé Orchestra, Nicholas Kraemer

“…Above all there was the Sheffield Philharmonic Chorus, which sang out of its collective skin with intoxicating vigour and intent. If ever a chorus were up for a work, the Phil were here. They were magnificent. ”Sheffield Telegraph

“…The Sheffield Philharmonic Chorus, directed, coaxed, perhaps even inspired by the conductor Nicholas Kraemer excelled themselves in the accuracy, power and expression of their singing. The drama was heightened by some wonderful exchanges between the line-up of soloists: Janice Watson (soprano) and Susan Bickley (mezzo) in their duet; Roderick Williams and Andrew Kennedy (tenor) as Elijah and King Ahab. Well might the Chorus sing ‘And then shall your light break forth’ at the end. They had overcome the prophets of Baal and the loudspeakers below triumphantly. ”Yorkshire Post

Friday May 29th 2009, Sheffield City Hall

  • HaydnNelson Mass

  • HaydnSymphony 103 ‘Paukenwirbel’
  • HaydnOverture to Il Mondo della Luna

Claire Ormshaw (soprano), Carolina Krogius (mezzo soprano), Robert Gardiner (tenor), James Oldfield (baritone)

Sheffield Philharmonic Chorus

Manchester Camerata, Douglas Boyd

“…An extremely fine performance of the Nelson Mass found the Sheffield Philharmonic Chorus in resplendent voice, strongly rhythmic when required and with clear diction. The four young soloists, soprano Clare Ormshaw, mezzo-soprano Carolina Krogius, tenor Robert Anthony Gardiner, bass James Oldfield, were extremely impressive, the latter a true bass, and soprano, in particular, revealing enormous potential. ”Sheffield Telegraph

2009-10 season

Friday November 27th 2009, Sheffield City Hall

HaydnCreation

Julia Sporsén (soprano), Thomas Hobbs (tenor), Andrew Rupp (baritone)

Sheffield Philharmonic Chorus

Manchester Camerata, Paul Brough

…they sang with superb control, excellent balance and restrained power when not letting rip a suitably mighty fortissimo ‘light’ on the first day of creation, while being equal to Brough’s nimble rhythmic demands for The Heavens Are Telling.” Sheffield Telegraph

Isn’t it wonderful when everything goes right? A choir on top form, an orchestra with the correct sense of style, soloists to match […] The score is beautifully written for choir, and the Philharmonic Chorus responded with almost the stylistic panache of the orchestra, using small-scale detailed articulation or powerful blockbuster chords as required.” Yorkshire Post

Saturday December 12th 2009, Sheffield City Hall

Christmas Concert

Ian McMillan (compère)

Sheffield Philharmonic Chorus

Black Dyke Band, Darius Battiwalla

This concert was broadcast on BBC Radio 2 on December 24th 2009

Sunday April 18th 2010, Symphony Hall Birmingham

JenkinsThe Armed Man — A Mass for Peace

Sheffield Philharmonic Chorus, Halifax Choral Society, Leeds Metropolitan University Choir

Black Dyke Band, Nicholas Childs

 

Saturday May 8th 2010, Sheffield City Hall

BeethovenSymphony no.1

BrahmsGerman Requiem

Amy Freston (soprano), David Stout (baritone)

Sheffield Philharmonic Chorus

Hallé Orchestra, Ewa Strusinska

“…The chorus did indeed sound magnificent when letting rip with admirable unanimity.” Sheffield Telegraph

The opening Selig Sind is a model of clarity and radiates the empathy with grief that Brahms strove for; the second chorus is a little rushed, but wait: Strusinska brings chorus, orchestra and the excellently dramatic baritone David Stout together, turning the next few choruses into an expressive treasure-house — we almost feel that death is defeated. She adds in the beautifully clear yet strong tones of the soprano Amy Freston and we feel wonderfully comforted.” Yorkshire Post